Contact
+ Contact Form
Search
+ Search Form
Introduction
+ Aims & Scope
+ Structure
+ History
Announcements
+ Updates
+ Calls for Papers
+ New Lectures
+ New Publications
Alphabetical Index
+ Author Index
+ Speaker Index
Chronological Index
+ Ancient History
+ Medieval History
+ Modern History
Geographical Index
+ African History
+ American History
+ Asian History
+ European History
+ Oceanian History
Topical Index
+ Prosecution
+ Cases
+ Types
+ Offenders
+ Victims
+ Society
+ Research
+ Representations
Resources
+ Institutions
+ Literature Search
+ Research
|
Start:
Alphabetical Index:
Author Index:
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
Unknown
First published: March 1, 2025 - Last updated: March 1, 2025
TITLE INFORMATION
Authors: Israt Jahan Nimni and Refat Sultana Jahan
Title: Breaking the Silence
Subtitle: A Quest for Self in Shashi Deshpande’s The Dark Holds No Terror
Journal: International Journal of English Literature and Social Sciences
Volume: 9
Issue: 6
Year: November-December 2024 (Received: Novemer 17, 2024; Revised: December 18, 2024; Accepted: December 24, 2024; Published online: December 31, 2024)
Pages: 370-375
ISSN: 2456-7620 -
Find a Library: WorldCat
Language: English
Keywords:
Modern History:
20th Century |
Asian History:
Indian History |
Types:
Rape /
Marital Rape;
Representations:
Literary Texts /
Shashi Deshpande
FULL TEXT
Link:
International Journal of English Literature and Social Sciences (Free Access)
ADDITIONAL INFORMATION
Authors:
-
Israt Jahan Nimni,
Department of English,
Comilla University -
Google Scholar,
ResearchGate
-
Refat Sultana Jahan: -
Abstract:
»Shashi Deshpande, one of the prominent Indo-Anglian writers, captures tension, trauma, and turmoil of the post-colonial Indian women in her writings. Her novels, especially, deal with the struggles, and daily battles of the middle-class female characters whose stories remain neglected, unheard, and silent in the patriarchal society. Though Deshpande’s female characters remain in confinement, subjugation, and silence in the male-controlled society, but they attempt to show resistance by confronting the difficulties, breaking silence, and learning to speak. Thus, they contest their subaltern conditions. Deshpande uses consciousness of the protagonists as the site to challenge the repressive forces that dominate, and control women in the Indian society. The rise of awareness and self-consciousness enable the protagonists to search for self-fulfillment, and self-identity. Thus, this paper aims to show the protagonist, Saru’s pursuit to attain selfhood, and subjectivity against gender stereotyping in a male-dominated society in The Dark Holds No Terror through feminist, psychoanalytic, and post-colonial perspectives.«
(Source: International Journal of English Literature and Social Sciences)
Contents:
|
Abstract (p. 370) |
|
I. Introduction (p. 370) |
|
II. Discussion (p. 370) |
|
III. Conclusion (p. 374) |
|
References (p. 375) |
Wikipedia:
History of Asia:
History of India |
Literature:
Indian literature /
Shashi Deshpande |
Sex and the law:
Rape /
Rape in India
|